“A woman of modern ideas”: Federica Montseny, literature and anarchists gender identities.
Keywords:
Federica Montseny. Literature. Femininities and masculinities. Anarchism.Abstract
The literary production of the prominent anarchist Federica Montseny is an excellent historical source for the study of the gender models and identities that the Spanish libertarian movement of the early twentieth century advocated. In this research, the short novel La Victoria is analyzed through the cultural history of reading and the history of gender relations. This paper pays attention to the reception of the literary work, the controversy that it generated and the information that the social reception of the book can give us about gender relations.Downloads
References
AGUADO, Ana. La historia de las mujeres como historia social. En: DEL VAL, Mª Isabel. La historia de las mujeres: una revisión historiográfica, Valladolid: Universidad de Valladolid, Secretariado de Publicaciones e Intercambio Editorial, 2004.
ALCALDE, Carmen. Federica Montseny. Palabra en Rojo y Negro. Barcelona: Editorial Argos Vergara, 1983.
BOYDSTON, Jeanne. Gender as a Question of Historical Analysis, Gender & History, n. 20, pp. 558-583, 2008.
BUTLER, Judith. Deshacer el género. Barcelona: Paidós, 2006.
CRUZ, Nuria. La mujer moderna en los escritos de Federica Montseny. Nueva York: Támesis, 2015.
DARNTON, Robert. Historia de la lectura. En: BURKE, Peter (ed.). Formas de hacer historia. Madrid: Alianza Editorial, 2003.
GARCÍA, Pedro. Pobres pero honradas: Lujuria burguesa y honorabilidad proletaria en las novelas breves de Federica Montseny, International Journal of Iberian Studies, n. 42, v. 3, p. 156, 2012.
INGARDEN, Roman. Concreción y reconstrucción. En: WARNING, Rainer (ed.). Estética de la recepción. Madrid: La Balsa de la Medusa, 1989.
ISER, Wolfgang. La realidad de la ficción, en: WARNING, Rainer (ed.). Estética de la recepción. Madrid: La Balsa de la Medusa, 1989.
JAUSS, Hans Robert. El lector como instancia de una nueva historia de la literatura. En: BÜRGER, P. (et. al.). Estética de la recepción. Madrid: Arco Libros, 1987.
KRYLOVA, Anna. Gender Binary and the Limits of Poststructuralist Method, Gender & History, n. 28, pp. 307-323, 2016.
LOZANO, Irene. Federica Montseny. Una anarquista en el poder. Madrid: Espasa Calpe, 2004.
MONTSENTY, Federica. El Hijo de Clara. Barcelona: Biblioteca La Revista Blanca, 1927.
MONTSENTY, Federica. La Indomable. Barcelona: Biblioteca La Revista Blanca, 1928.
MONTSENTY, Federica. La Victoria. Barcelona: Biblioteca La Revista Blanca, 1925 (2º edición 1930).
NAJMABADI, Afsaneh. Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity. Berkeley: University of California Press, 2005.
OYEWUMI, Oyeronke. The Invention of Women: Making an African Sense of western Gender Discourses. Minneapolis: University of Minnesota Press, 1997.
SANTONJA, Gonzalo. La insurrección literaria. La novela revolucionaria de quiosco. Madrid: Sial Ediciones, 2000.
SCOTT, Joan W. Gender and the Politics of History. New York: Columbia University Press, 1999.
SERRANO, Carlos. Relato breve y literatura militante: en torno a La Novela Ideal. En: FONQUERNE, Yves-René y EGIDO, Aurora (coord.). Formas breves del relato. Madrid: Secretariado de Publicaciones de la Universidad de Zaragoza, 1986.
SIGUAN, Marisa: Literatura popular libertaria (1925-1938). Barcelona: Ediciones Península, 1981.
TAVERA, Susanna. Federica Monyseny. La indomable (1905-1994). Madrid: Ediciones Temas de Hoy, 2005.
Downloads
Published
How to Cite
Issue
Section
License
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.