Let's take the woman to the Brazilian Academy of Letters! Tetrá de Teffé, the first novelist awarded by the immortals.
Keywords:
Brazilian Academy of Letters, writers, canon, Tetrá de Teffé.Abstract
This article aims to analyze the role of women intellectuals and writers during the thirties and forties in Brazil, focusing on the novelist Tetrá de Teffé and his work Bati à porta da vida, awarded in 1941 with the Machado Assis Award. On the one hand, we study the literary canon as an eminently patriarchal space, and thus we seek to understand the existing conflicts regarding the entry of women into the pantheon of immortals, the Brazilian Academy of Letters. On the other hand, through the weekly magazine O Malho, we examine discourses constructed by the press and by the intellectuals women to claim their participation in a place of cultural consecration. In this article, then, there are forgotten lives of brilliant women who were important actors in the Brazilian political, social and cultural arena, but ended up in the basement of history and the literary canon. Among these women is Tetrazzini de Almeida Nobre de Teffé, a Brazilian writer of great prestige during the first decades of the 20th century. However, the non-canonical status of her work, so frequent in the case of female writers, demonstrates the invisibility and silencing suffered by several women of letters.Downloads
References
AGUADO, Ana e SANFELIU, Luz. Caminos de Democracia. Ciudadanías y Culturas Democráticas en el Siglo XX. Granada: Comares, 2014.
AMADO, Jorge. Anuario Brasileiro De Literatura. Rio de Janeiro: Pongetti, 1941, p. 25.
ASMAR FANINI, Michele. A (in)visibilidade de um legado. Seleta de textos dramatúrgicos inéditos de Júlia Lopes de Almeida. São Paulo: Fapesp, 2016.
ASMAR FANINI, Michele. As mulheres e a Academia Brasileira de Letras, História, 29, 1 Franca, 2010, p. 345-367.
BOURDIEU, Pierre. O poder simbólico. Rio de Janeiro: Bertrand Brasil, 2010.
CÂNDIDO, Antônio. Literatura e Sociedade. Rio de Janeiro: Ouro sobre azul, 2010.
CAPDEVILA-ARGÜELLES, Nuria. Autoras inciertas. Madrid: Sílex, 2017.
CHAUDHURI, Nupur. Contesting arquives: Finding women in the sources. Illinois: University of Illinois, 2010.
EL FAR, Alessandra. A encenação da imortalidade: uma análise da academia brasileira de letras nos primeiros anos da república (1897-1924). Rio de Janeiro: FGV, 2000.
FERNÁNDEZ AUZMENDI, Nazaret. El canon literario: un debate abierto. Per Abaat, 7, 2008, p. 61-82.
FERREIRA, Antônio Celso. A fonte fecunda. In: PINSKY, Carla Bassanezi; DE LUCA, Tânia Regina (Org). O historiador e suas fontes. São Paulo: Editora Contexto, 2009.
GAL, Susan. Language and the art of resistance. Cultural Anthropology, 10, 3, 1995, p. 407-424.
GOMES, Ângela Maria de Castro. História e historiadores. A política cultural do estado novo. Rio de Janeiro: FGV, 1996.
KARAWEJCZYK, Mônica. Urnas e saias: uma mistura possível. A participação feminina no pleito eleitoral de 1933, na ótica do jornal Correio do Povo. Topoi, 11, 21, 2010, p. 204-221.
KILOMBA, Grada. Plantation Memories: Episodes of Everyday Racism. Münster: Unrast Verlag, 2012.
KOTHE, Flávio. O Cânone colonial: Ensaios. Brasília: Editora Universidade de Brasília, 1997.
LEFEVERE, André. Traducción, reescritura y la manipulación del canon literario. Salamanca: Ediciones Colegio de España, 1997.
LIMA DUARTE, Constância. Feminismo e Literatura. Estudos Avançados, 17, 49, 2003, p. 151-172.
LOTMAN, Mijaíl Iuri. El arte canónico como paradoja informacional. Criterios, 30, 1993, p. 23–29.
MARSHAL, Thomas. Ciudadanía y clase social. Revista Española de Investigaciones Sociológicas, 79, 1997, p. 297-344.
REIS, Roberto. Cânon. In: JOBIM, J.L. (org). Palavras da crítica. Tendências e conceitos no estudo da Literatura. Rio de Janeiro: Imago, 1992, p. 65-92.
RIBEIRO, Djamila. O que é lugar de fala?. Belo Horizonte: Letramento, 2017.
SAID, Edward. Cultura e Imperialismo. São Paulo: Companhia das Letras, 2005.
STANFORD FRIEDMAN, Susan. The return of the repressed in women’s narrative. The Journal of Narrative Technique, 19, 1, 1989, p. 141-156.
TEFFÉ, Tetrá de. Bati à porta da vida. Rio de Janeiro: Pongetti Editores, 1941.
FONTE PRIMÁRIA
A NOITE, 1940, 26 de setembro, p. 14.
O MALHO, 1936, 13 de agosto, p. 13.
O MALHO, 1936, 27 de agosto, p. 19.
O MALHO, 1936, 17 de setembro, p. 20.
O MALHO, 1936, 24 de dezembro, p. 28.
O MALHO, 1937, 4 de novembro, p. 21.
Downloads
Published
How to Cite
Issue
Section
License
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.