SHADOWS OF BEARDED KINGS: ENUNCIATE ISSUE

Abstract

This work has proposes to present a study that focuses on the particular discursive novel Sombra de reis barbudos, written by José J. Veiga based on the enunciation theories. To ahieve this, shall be used, especially enunciate theories introduced by Benveniste (1974-76) and Maingueneau (1997, 2005-06), it is still worth the consideration the following scholars: Anscombre (1976); Brait & Melo (2007); Cunha & Cintra (1985); Fairclough (1992); Fiorin (2005-06); Landowski (1989); Reis & Lopes (1988). After that did the trail of the veiguiana work; the review of criticism fortune and bound up the corpus of analysis, observing the fact that work contain peculiar characteristics to our investigation, to achieve this goal, it presents a theoretical conception of enunciation. Then, it’s pointed out some enunciate peculiarities of the novel Sombra de reis barbudos. To final, it focused the oppressive traits present in the work. The results indicate that in the novel Sombra de reis barbudos, subject to the enunciate state assumes a kind of social ritual of language implied, shared by the partners. Therefore, the narrative schemes are assumed by the enunciate subject that convert into a speech marked by oppression. Finally, the analysis indicates that the veiguiano speech, it simulates up the times, people and spaces of the world, but at the same time destabilise up these categories, make new directions in a simulation a vertigo temporal, spatial and actorial.