BLINDNESS AND SOLIDARITY IN "THE PERSON IS FOR WHAT SHE BORN"

Authors

  • Fernanda Luzia Lunkes
  • Vera Lúcia da Silva
Supporting Agencies

Keywords:

Discurso, Cinema, Sujeito, Corpo.

Abstract

This study has as objective to analyse the effects of meaning over the body and

the solidarity in the documentary “the person is for what was born” (2006, direction of roberto

berliner), whose plot tells the story of the sisters maria, regina e conceição. Our analytical

outline lean over the speeches of the sisters and the people who live with them and searches to

explicit our lecture gestures about the discoursivities from these subjects and from the

meanings produced in the interior of the movie context, also marked by poverty and the

blindness of the three sisters, who are known as “the little blinds of campina grande”. Starting

from the pecheutian presupposition that the subject is not homogeneous, we have as

hypothesis that in contemporaneity a body with this “mark”/”failure” will produce discursive

tensions between the subject marked and that one with which coexists, the same could happen

in the interior of a statement of a single subject, since this is crossed by various ideological

training, which face themselves in the materiality of the speech, escaping the control that

supposedly the subject believes to have about that he says.

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Published

18-03-2010

How to Cite

LUZIA LUNKES, F.; DA SILVA, V. L. BLINDNESS AND SOLIDARITY IN "THE PERSON IS FOR WHAT SHE BORN". Travessias, Cascavel, v. 2, n. 3, p. e3091, 2010. Disponível em: https://saber.unioeste.br/index.php/travessias/article/view/3091. Acesso em: 18 jul. 2024.

Issue

Section

ARTE E COMUNICAÇÃO