IRACEMA IN CINEMA AND THE DESIRE OF THE REAL
Keywords:
Indianismo, Linguagens, Ficção, Documentário, Denúncias.Abstract
This work wishes to understand the discursive strategies used by the movie directors
Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist
theme of Iracema, based in the work of José de Alencar, for using filming methods that would allow
that the Brazilian scene of the time would be boarded in it's completeness and without ornaments,
also allowing the fiction and the documentary to stand together in a play that gives a lot of freedom
to the characters, assimilating also random events.
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