POLARÓIDES URBANAS: UMA ANÁLISE DOS CONFLITOS DA PÓS-MODERNIDADE NAS REPRESENTAÇÕES SOCIAIS MIDIÁTICAS

Authors

  • Oton Magno Santos
  • Natanael Reis Bomfim

Keywords:

identidade, representação social, pós-modernidade

Abstract

This paper aims to understand the conflicts of post-modernity, represented in the film Polaróides Urbanas (2008), through the social practices of the subjects. Specifically, we seek in this paper to discuss the diverse elements of social representation that are related dialectically in the social formation of subjects, highlighting the complexities that arise as they interact with others in their different living spaces. In post-modern narratives, the representation of processes of construction and deconstruction of identity offers a range of possibilities when it comes to understanding and recognition of various social masks in the profile of our society. Researchers such as Hanna Arendt (2007), Linda Hutcheon (1991), Nestor Garcia Canclini (2008), Stuart Hall (2005), Martin-Barbero (2004) and Muniz Sodré (2000) underlie the reflections in this work. 

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Published

26-10-2011

How to Cite

SANTOS, O. M.; BOMFIM, N. R. POLARÓIDES URBANAS: UMA ANÁLISE DOS CONFLITOS DA PÓS-MODERNIDADE NAS REPRESENTAÇÕES SOCIAIS MIDIÁTICAS. Travessias, Cascavel, v. 5, n. 2, p. e4321, 2011. Disponível em: https://saber.unioeste.br/index.php/travessias/article/view/4321. Acesso em: 18 jul. 2024.

Issue

Vol. 5 No. 2 (2011)

Section

[DT] CRÍTICA E MODERNIDADE

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