Representation and memories of trickery, in Memórias de Madame Satã, by Sylvan Paezzo
DOI:
https://doi.org/10.48075/rt.v15i2.27706Keywords:
Madame Satã, Memories, Trickery, Representation.Abstract
The book entitled Memórias de Madame Satã (1972), written by Sylvan Paezzo, the protagonist narrates his story to the journalist Sylvan Paezzo himself. Nicknamed Madame Satã, he faced racism and prejudice for being black, artist and transsexual. And because of their experiences received nickname of roguish, the roguish according to Antonio Candido (1970), is an individual who lives outside the norms set by society, standing between order and disorder. João Francisco dos Santos describe in detail the facts experienced, that is, triggers his memory to tell about his life, Le Goff (1990) affirms that memory is a property that stores information and a set of psychic functions, in which man can update knowledge and experiences. Considering these aspects, the research objective to analyze the representation of the rascal in the book Memórias de Madame Satã (1972), by Sylvan Paezzo, identifying the construction of the character, the memories and their representation in brazilian society, as rascal, artist and person. Therefore, of bibliographic nature, the research will have as theoretical support, the studies of Antonio Candido (1970), DaMatta (1997), Roberto Schwarz (1987), Roberto Schwarz (1987), Le Goff (1990), Pierre Nora (1978), Maurice Halbwachs (2013), François Dosse (2015), Zilá Bernd (2017), among others.Downloads
References
BENJAMIN, Walter. Magia e técnica, arte e política. 3. ed. São Paulo: Editora Brasiliense, 1987.
BERND, Zilá. Vestígios / rastros memórias. In: GONZÁLES, E.P; COSER, S; Em torno da Memória: conceitos e relações. Porto Alegre: Editora Letra1, 2017.
BERND, Zilá. A persistência da memória em textos literários. Romances da anterioridade e seus modos de transmissão intergeracional. Porto Alegre: Edições BesouroBox Ltda, 2018.
CANDAU, Joël. Memória e identidade. São Paulo: Contexto, 2014.
CANDIDO, Antonio. Dialética da malandragem (Caracterização das “Memórias de um sargento de milícias”). Revista do instituto de estudos Brasileiros, São Paulo, n. 8, p. 67-89, 1970.
CHARTIER, Roger. O mundo como representação. Estudos Avançados, São Paulo, v. 5, n. 11, p. 173-191, 1991.
DOSSE, François. O Desafio Biográfico: Escrever uma Vida. Trad. Gilson César Cardoso de Souza. 2. ed. São Paulo: Editora da Universidade de São Paulo, 2015.
DAMATTA, Roberto. Carnavais, malandro e heróis. 5. ed. Rio de Janeiro: Guanabara, 1990.
DEALTRY, Giovanna Ferreira. No fio da navalha: malandragem na literatura e no samba. Rio de Janeiro: Casa da Palavra, 2009.
DURST, Rogério. Madame Satã: com o diabo no corpo. 2a ed. São Paulo: Brasiliense, 2005.
GOTO, Roberto. Malandragem Revisada. Campinas: Pontes, 1988.
HALBWACHS, Maurice. A memória coletiva. Tradução de Beatriz Sidou. 2. ed. São Paulo: Centauro, 2013.
LE GOFF, Jaques. Memória. In: História e memória. Trad. B. Leitão e I. Ferreira. Campinas: Ed. Da Unicamp, 1990. p. 423-483.
LEJEUNE, Philippe. O pacto autobiográfico: de Rousseau à Internet. Tradução: Jovita Maria Gerheim Noronha, Maria Inês Coimbra Guedes. 2. ed. Belo Horizonte: Editora UFMG, 2014.
LEJEUNE, Philippe. Les brouillons de soi. Paris: Seuil, 2008.
NORA, P. Mémoire collective. In: LE GOFF, J. et all. (org.). La nouvelle histoire. Paris: Retz, 1978.
PAEZZO, Sylvan. Memórias de Madame Satã. Rio de Janeiro: Editora Lidador, 1972.
SCHWARCZ, Lilia Moritz. Nem preto nem branco, muito pelo contrário: cor e raça na intimidade. In: SCHWARCZ, Lilia Moritz. (org.) História da vida privada no Brasil: contrastes da intimidade contemporânea. São Paulo: Companhia das Letras, 2004.
SCHWARZ, Roberto. Que horas são? Ensaios. São Paulo: Companhia das Letras, 1987.
Downloads
Published
How to Cite
Issue
Section
License
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.