Vol. 15 No. 2 (2021)

Imagem da capa: "The Artist's Studio, Rue de la Condamine", de Frédéric Bazille

O presente dossiê tem por intenção reunir artigos e ensaios às mais variadas matrizes metodológicas e teóricas ligadas à pesquisa de pós-graduação sobre o tema, discutindo algumas das possíveis relações entre as manifestações performáticas na Literatura e no Cinema e suas múltiplas relações e interrelação entre representações verbais, mídias e culturas, bem como combinação midiáticas, tradução e transposição interartísticas.

Organizadores: Acir Dias da Silva (Unioeste) e Norival Bottos Júnior (UFG).

Imagem da capa: "The Artist's Studio, Rue de la Condamine", de Frédéric Bazille

 

Published: 31-08-2021

PRESENTATION

  • Apresentação da 43ª edição da Travessias

    Acir Dias da Silva, Norival Bottos Jr
    e28030
    https://doi.org/10.48075/rt.v15i2.28030

[DT] LITERATURA, CINEMA E INTERMIDIALIDADE: TEXTOS, CONTEXTOS E IMAGENS

  • Mediatic transposition and cultural representation in “Coco” (2018)

    Thiago Henrique da Silva de Sales, Líliam Cristina Marins
    e27636
    https://doi.org/10.48075/rt.v15i2.27636

  • The ever-present second Sudanese Civil War on the movie His House (2020)

    Carlos Eduardo de Araujo Placido
    e27640
    https://doi.org/10.48075/rt.v15i2.27640

  • Authoral labyrinths: the film adaptation of In the tall grass, by Stephen King and Joe Hill

    Edson José Rodrigues Júnior
    e27644
    https://doi.org/10.48075/rt.v15i2.27644

  • Looking through: the use of the free indirect subjetive camera in contemporary cinema

    Fabiana Maceno Domingos Pedrolo
    e27663
    https://doi.org/10.48075/rt.v15i2.27663

  • Representation and memories of trickery, in Memórias de Madame Satã, by Sylvan Paezzo

    Victória Nantes Marinho Adorno, Andre Rezende Benatti
    e27706
    https://doi.org/10.48075/rt.v15i2.27706

  • Theater and intermidiality: a study of the spectacle “When I die I will tell God everything”

    Lysiane Cassia Baldo
    e27735
    https://doi.org/10.48075/rt.v15i2.27735

  • Joel Zito Araújo’s women: subversion or reproduction of stereotypes?

    Risoleta Viana de Freitas
    e27748
    https://doi.org/10.48075/rt.v15i2.27748

  • The cosmicity of the house: its myths and images in the movie Mother!, by Darren Aronofsky

    Adriano Menino de Macêdo Júnior, Roniê Rodrigues da Silva
    e27750
    https://doi.org/10.48075/rt.v15i2.27750

  • Anton Chigurh: the unusual villain in No country for old man

    Maria Iranilde Almeida Costa Pinheiro, Jonas Magno Lopes Amorim
    e27753
    https://doi.org/10.48075/rt.v15i2.27753

  • Aesthetics by Glauber Rocha and the interfaces with documentary cinema

    Rosselane Liz Giordani
    e27757
    https://doi.org/10.48075/rt.v15i2.27757

  • The agrest Inocência: the representation of space in the Visconde de Taunay`s novel and in the Walter Lima`s film work

    Erick Vinicius Mathias Leite
    e27761
    https://doi.org/10.48075/rt.v15i2.27761

  • Women representation and intersemiotic relations in Sharp Objects and Gone Girl

    Milena Ramos Pereira, Ana Carolina Negrão Berlini de Andrade
    e27767
    https://doi.org/10.48075/rt.v15i2.27767

  • From the unheimlich’s effect to remembrance: the narrative path of the character Marion Post in Another Woman (1988), by Woody Allen

    Mariana Alice de Souza Miranda
    e27769
    https://doi.org/10.48075/rt.v15i2.27769

  • An allegorical reading of the film Landscape in the mist, directed by Theo Angelopoulos

    Gong Li Cheng
    e27772
    https://doi.org/10.48075/rt.v15i2.27772

  • Ekphrastic adaptation: about the presence of painting in cinema

    Vanessa Luiza de Wallau, Cleber da Silva Luz
    e27773
    https://doi.org/10.48075/rt.v15i2.27773

  • The signs of realism: from literature to cinema, from Flaubert to digital images

    Jeferson Ferro
    e27774
    https://doi.org/10.48075/rt.v15i2.27774

  • Materialization of the hyper-real in the matrix: Inermidiality between Baudrillard and Matrix

    Luiza da Silva Souza, Claudia Lorena Fonseca
    e27776
    https://doi.org/10.48075/rt.v15i2.27776

  • Literature, image and intermediality in Catálogo de perdas (2017), by João Anzanello Carrascoza and Juliana Monteiro Carrascoza

    Sandro Adriano da Silva
    e27778
    https://doi.org/10.48075/rt.v15i2.27778

  • Intermidiality in a walk through the narrative in fighting games

    Alisson Preto Souza, Lis Yana de Lima Martinez
    e27779
    https://doi.org/10.48075/rt.v15i2.27779

  • Pedra da memória - corporalities in transatlantic confluences

    Rodrigo Birck Moreira, Izabela Fernandes de Souza
    e27780
    https://doi.org/10.48075/rt.v15i2.27780

  • A becoming cinamtographic narrative

    Cristine Fickelscherer Mattos
    e27782
    https://doi.org/10.48075/rt.v15i2.27782

  • Class Alliances and the Birth of a Nation in A Wedding

    Marcos César de Paula Soares
    e27763
    https://doi.org/10.48075/rt.v15i2.27763

EDUCAÇÃO

  • From basic training to teaching practice: what is the teacher's perception about gifting?

    Kelling Cabral Souto, Helena Carla Castro, Cristina Maria Carvalho Delou
    e26215
    https://doi.org/10.48075/rt.v15i2.26215

  • Measuring a territory: the Mediated Learning Experience in NEaDUNI context

    Higor Miranda Cavalcante, Beatriz Helena Dal Molin
    e27348
    https://doi.org/10.48075/rt.v15i2.27348

ENSAIOS E TEMAS INTERDISCIPLINARES

  • Sociability in quarantine times: WhatsApp seen as a social interaction tool during the COVID-19 pandemics

    Fernanda de Fátima Fernandes Pereira, Daniele Ribeiro Fortuna, Renato da Silva
    e27349
    https://doi.org/10.48075/rt.v15i2.27349